Owned audience
1M+
combined followers across channels

YouTube Silver Creator Award
Presented to Social Dance TV for passing 100,000 subscribers.
View the channelFounder & CEO, Social Dance TV · Festival Media DirectorFounder & CEO · Festival Media Director
I help festival leaders and organizers turn the energy of one weekend into a media system that builds visibility, trust and demand for the next edition. Strategy, creative direction, production and distribution — backed by 15 years inside social dance and an audience of 1M+.

Selected work
Results from building audiences, directing media and earning long-term client trust.
Selected film · 2025 Watch the full filmFlagship partnership · Croatian Summer Salsa Festival
Published partnership result
One weekend became 60 days of visibility within a partnership that has continued since 2016 and produced 6 films.
2026 archiveDirected the multilingual EN/TR camera and content operation, shaping one consistent story across the event.
Three consecutive editions — 2024, 2025 and 2026 — reflect sustained trust in the same media direction.
Directed the festival’s social media system — from visual language and posters to captions, calls to action and aftermovie structure.
12K → 32.8K followers (+173%) and 13.2M organic views across 21 co-published posts — without paid promotion.
The 2019 film is one example from a five-year working relationship with NYISC.
Five years with the same congress, built on continuity and trust.
Selected film · Latin Beach Fest
Place, movement, intimacy and collective energy — translated into a 94-second aftermovie.
Work with me
Most clients come for festival media direction. I also take on selected private advisory for founders and creators who have built something real and need a clearer next move.
I connect strategy, filming, creative direction and release around one goal: turning this edition into trust and demand for the next.
This is for your festival if
Bring the project, audience, offer or decision that has become difficult to see clearly. We find the issue and turn it into a usable next move.
We’ll work well together if
How we’d work together
A 30-minute call to look at your festival, team and next edition as they are today. If you are here for advisory, bring the project and decision in front of you.
We identify where the festival is losing clarity, attention or momentum — and name it plainly.
We turn that into a clear position, media direction, release logic and the decisions that need to happen next.
We decide what your team can own, what I should direct and what needs hands-on delivery. Advisory stays focused on the decisions where it adds value.
Festival client feedback
Selected feedback from long-term festival clients. Names are withheld by agreement.
He dances, so he films what dancers actually feel. The camera is already there before the moment happens.
We booked a videographer and got a media department — direction, posters, socials, one visual language.
Five seasons in, we don’t confirm our dates before we confirm Kirill.
Operating principle
A clear position, a story people want to share and a deliberate release plan turn one weekend into longer demand. My role is to connect those parts into one system your team can actually run.
Build momentum before, during and after the weekend.
How the work evolved
It started with a blurry photograph at a dance festival in St. Petersburg in summer 2011. I captured one frame and something clicked. What stayed with me wasn’t the technique. It was the feeling inside the image. That was when I began seeing dance instead of simply watching it.

I had already spent years inside this world — dancing salsa, teaching and living at socials and congresses. So I wasn’t an outsider pointing a lens at dancers. I knew how the room felt from the inside. The best coverage preserves that feeling instead of making people perform for the camera.
“The most valuable part of dance was never the steps. It was what people felt between them.”
Original«Самое ценное в танце — не фигуры, а то, что люди чувствуют между собой.»

From filming festivals to building their media systems
For years I travelled the world as “the festival videographer.” Over time, clients saw that the value went beyond filming — I was building visibility, trust and relationships across the scene. The work needed to become a system, not a service tied entirely to my presence.
That is why I built Social Dance TV into a media platform for the global social-dance scene. Festivals work with us to be seen, remembered and positioned for the next edition. The camera still matters. The greater value comes from the strategy, editorial judgment and distribution network behind it.
The camera stayed. The work expanded into strategy, production and distribution.
Experience behind the direction
I know what every recommendation costs in time, attention and team capacity because I have had to execute these decisions at real festivals. The direction is specific enough to produce, publish and use — not merely agree with.
Hands-on since 2011 · Founder of Social Dance TV


Plan the next edition
In 30 minutes, we’ll look at your festival’s position, the gap in its media and the right next move for the next edition. If you are here for private advisory, bring the project and decision in front of you. If I’m not the right person, I’ll say so.
Primarily for festival founders, directors and organizers. Selected private advisory is available to founders and creators with an active project, audience or offer.